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Fallingwater Rising is a biography not of a person but of the most famous house of the twentieth century. Scholars and the public have long extolled the house that Frank Lloyd Wright perched over a Pennsylvania waterfall in 1937, but the full story has never been told.
When he got the commission to design the house, Wright was nearing seventy, his youth and his early fame long gone. It was the Depression, and Wright had no work in sight. Into his orbit stepped Edgar J. Kaufmann, a Pittsburgh department-store mogul–“the smartest retailer in America”–and a philanthropist with the burning ambition to build a world-famous work of architecture. It was an unlikely collaboration: the Jewish merchant who had little concern for modern architecture and the brilliant modernist who was leery of Jews. But the two men collaborated to produce an extraordinary building of lasting architectural significance that brought international fame to them both and confirmed Wright’s position as the greatest architect of the twentieth century.
Fallingwater Rising is also an enthralling family drama, involving Kaufmann, his beautiful cousin/wife, Liliane, and their son, Edgar Jr., whose own role in the creation of Fallingwater and its ongoing reputation is central to the story. Involving such key figures of the l930s as Frida Kahlo, Albert Einstein, Henry R. Luce, William Randolph Hearst, Ayn Rand, and Franklin Roosevelt, Fallingwater Rising shows us how E. J. Kaufmann’s house became not just Wright’s masterpiece but a fundamental icon of American life.
One of the pleasures of the book is its rich evocation of the upper-crust society of Pittsburgh–Carnegie, Frick, the Mellons–a society that was socially reactionary but luxury-loving and baronial in its tastes, hobbies, and sexual attitudes (Kaufmann had so many mistresses that his store issued them distinctive charge plates they could use without paying).
Franklin Toker has been studying Fallingwater for eighteen years. No one but he could have given us this compelling saga of the most famous private house in the world and the dramatic personal story of the fascinating people who made and used it.
A major contribution to both architectural and social history.
From the Hardcover edition.
- Sales Rank: #396759 in Books
- Brand: Toker, Franklin
- Published on: 2005-04-19
- Released on: 2005-04-19
- Original language: English
- Number of items: 1
- Dimensions: 9.22" h x 1.41" w x 6.12" l, 1.75 pounds
- Binding: Paperback
- 496 pages
From Publishers Weekly
An oddly "spiritual" agglomeration of rectilinear glass, concrete and stone masses set on a waterfall in the Pennsylvania woods, Wright's Fallingwater house made America fall in love with modernist architecture, according to this engrossing study. Architectural historian Toker (Pittsburgh: An Urban Portrait) approaches the building as a tense but fruitful collaboration between Wright's genius and the encouragement given it by his patron, Pittsburgh department store magnate E. J. Kaufmann, whom Toker credits with being "almost... the coarchitect" of the house. He gives a detailed, sometimes hour-by-hour account of Wright's planning process, the engineering hurdles surmounted in realizing his structurally daring design, the critical and public acclaim the house has elicited through the years and its impact on American culture in everything from Ayn Rand's The Fountainhead to motifs in suburban tract housing. He sets the story against an erudite but accessible history of the rise of modernism and Wright's antagonism toward the German Bauhaus and International Style architects, whose austere, mechanistic stylings he denounced even as he was adapting and humanizing them to suit American tastes. Toker sometimes makes too much, with little but speculation to go on, of Kaufmann's contribution to the project, at one point comparing the relationship between Wright and Kaufmann to Christ's bond with St. Peter. But the trenchant analysis of Wright's character and creativity, the often lyrical evocations of his buildings, and the opinionated but insightful overview of the modernist intellectual milieu of the 1930s make the book a wonderful exploration of the psychological and social meaning of architecture. Photos.
Copyright 2003 Reed Business Information, Inc.
From The New Yorker
When a house becomes a celebrated work of architecture, it tends to be treated as if it had sprung full-grown from the brow of its creator. Probably no house has been more subject to this myth than Fallingwater, Frank Lloyd Wright's extraordinary essay in horizontal space, which is perched above a waterfall in southwestern Pennsylvania. According to legend, Wright dallied for months after receiving the commission, then drew up the plans in just two hours, as his client, the Pittsburgh department-store magnate E. J. Kaufmann, was en route to Wright's studio to check on his progress. Toker makes quick work of this fiction, tracing the long, careful evolution of Wright's brilliant design. Most important, he tells the story of Kaufmann and his wife, and shows that the house was equally a reflection of these two strong-willed clients and their complex marriage.
Copyright © 2005 The New Yorker
From Booklist
Fallingwater, daringly cantilevered over a waterfall near Pittsburgh, may well be "the most famous private house in the world," as Toker asserts. Conceived and built in the years 1935-37, this stunning weekend retreat's high-profile owner (department-store tycoon Kaufmann) and celebrity architect (Wright) guaranteed it would never be a well-kept secret. Fallingwater has already been the subject of numerous books, but Toker adds important new scholarship in debunking or clarifying four myths: that E. J.'s son, Edgar Jr., was father to the project; that Wright drew the complete plans in a two-hour burst of creativity; that Wright demonstrated engineering genius in his design; and that the world "spontaneously acclaimed it as the crowning achievement of modern architecture." If these points seem like insider quibbles, Toker also provides histories of the site, the men (Wright was in desperate need of a comeback when he got the commission), the house's chaotic construction, and the manner in which it became a byword even to architecture neophytes. A must-read for Wright fans, it will also intrigue architecture buffs. Keir Graff
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
3 of 3 people found the following review helpful.
An Instructive Book That Establishes the Gold Standard
By Ernest Yanarella
This book is an extraordinary education in the many facets of early twentieth-century American life and international architecture that bear on a house in the forest that has become a lasting treasure for devotees of Frank Lloyd Wright, a testament to his genius, and a gift to the traditions from which it borrowed and synthesized. Its author-Franklin Toker-has evidently read, observed, and digested everything that could have possibly influenced the building of this world-famous house. Whether carefully detailing the twists and turns of modernist architecture, reviewing the "social vaulting" strategy of E.J. Kaufmann and his family among the regional elite in the Pittsburgh area or musing over the influence and legacy of Wright's anti-Semitism, whether explaining the structural features of the building itself, pointing to the progenitors of its design in Wright's earlier work and that of his some of his contemporaries or demonstrating how Wright beat the Internationalists at their own game, Toker is ever the entertaining instructor assiduously and judiciously separating out fact and fiction, complex verities and simplistic myths in order to tell a story that generously enlarges everyone in this venture. By the end of the book, the reader has been profoundly changed by Toker's odyssey, enriching both her or his outlook on this architectural masterpiece and appreciation for the genius who designed it. No less rewarding, the reader has been taken on a voyage through the life and times of a powerful and beguiling client who proved himself equal to the tasks of commissioning such a unique blend of modernist and vernacular elements and challenging its architect to meet the demands of producing a work that has drawn such popular and scholarly acclaim.
9 of 10 people found the following review helpful.
Interesting Read
By Constance Levi
Professor Toker has written an informative and interesting book not only explaining the history of Falling Water, but the dynamics between the merchant/architect Kauffman, and Frank Lloyd Wright the architect/merchant.
The book is well researched as is evident by all the tidbits of information not found in other previous works on this remarkable building.
I highly recommend this book either as a gift or for your own pleasure.
6 of 6 people found the following review helpful.
Architect's Review:
By J. Svaicer
I must say that as an architect who has been practicing for over 25 years, I have not read any book quite like this before that reaches so deeply into the creation of a master work such as Fallingwater. I have always "appreciated" FLW work but only recently have more fully understood what he has accomplished and created in built architectural works that to me borders on magical and genius at the same time. The glossy pictures alone only begins to reflect him as the gifted craftsman he represented. Living in Chicago I get to enjoy much of his work all the time. I'm still enjoying the book and must say your work here is amazing and a fitting tribute to an increbible individual and architect. Thanks for the experience. Jack Svaicer
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