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Wayne Thiebaud, the California-based painter, has produced works of complexity and distinction that appear deceptively simple in terms of subject matter and in their presentation yet draw on many historical sources.
In fact, Thiebaud is part of the grand tradition of representational art from Chardin and Manet to the American Realist masters such as Eakins and Hopper. Best-known for his deadpan still-life paintings of cakes, pies, delicatessen counters, and other consumer goods, Thiebaud has also explored such themes as figure studies, the topography of Northern California, and cityscapes exaggerating the vertiginous roadways and geometric high-rises of San Francisco. Continuous throughout his career is his combination of the perceptual and the conceptual, of sensuous color, light, and painterly texture with rigorously formal composition, resulting in a highly personalized Americana. Wayne Thiebaud: A Paintings Retrospective is published on the occasion of an exhibition of the same title, the first major survey in fifteen years of work by this famous American figurative artist. Steven A. Nash, Associate Director and Chief Curator at the Fine Arts Museums of San Francisco, has organized the exhibition and provides a biographical essay on Thiebaud. An extended essay by Adam Gopnik, the Paris Journal writer for The New Yorker, links Thiebaud to American writing as a painter in the tradition of Walt Whitman, William Carlos Williams, and John Updike.- Sales Rank: #885638 in Books
- Published on: 2000-06
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 12.40" h x 1.10" w x 9.40" l, 3.57 pounds
- Binding: Hardcover
- 192 pages
Amazon.com Review
Famous for his dreamy 1960s paintings of cakes, Wayne Thiebaud began his career as a commercial artist and cartoon illustrator like many other artists of the period, including Andy Warhol. And like Warhol, Thiebaud became tied to pop art since he was making images of popular American products like food, lipsticks, and toys. Yet unlike many of his pop peers, Bay Area-based Thiebaud wasn't interested in poking fun at the establishment. He's a painter's painter, a real traditionalist. Wayne Thiebaud: A Paintings Retrospective covers a career of rendering still lifes, cityscapes, landscapes, and the figure. His cake paintings are formally beautiful in their color, shadow, and composition. They are perfect specimens of the good life in America, the paint lovingly applied in places like thick frosting. His cityscapes of San Francisco fiercely exaggerate the hilly landscape, capturing a perspective from the ground and air simultaneously while utilizing the light that the Bay Area is famous for.
Thoughtful essays by Steven A. Nash, associate director and chief curator for the Fine Arts Museum of San Francisco, and Adam Gopnik, a writer for The New Yorker, discuss Thiebaud in relation to his peers, pop, modernism, and abstract expressionism. This book serves as a catalog for Thiebaud's major retrospective, which opened in San Francisco and travels to Forth Worth, Texas, Washington, D.C., and ends in New York in the fall of 2001. Besides their beauty, these works truly capture a period of American life in a way that feels free of irony but not without commentary about nature, the city, and how we've lived. --J.P. Cohen
From Publishers Weekly
"He is an American painter, someone who paints for a living and whose subject, for all its formal perfection, is what we are to make of American abundance," writes New Yorker art critic Gopnik in his long, in-jokey introductory essay to Thiebaud's oeuvre now touring the country as a retrospective. As Gopnik makes clear, Thiebaud is famous for his lush early '60s paintings of cakes, other sweets and people eating them, but this book and the exhibition it documentsAput together by chief curator Nash of the Fine Arts Museums of San Francisco, who also provides an essayAreveal the painter to be preoccupied with a larger slice of American life. The impossible perspectives and multigraded blues and yellows of the cityscapes here seem more bizarrely true to San Francisco than stills from Vertigo. Heavy Traffic, Deli Bowls, Tie Rack and Rabbit are just what they say they are, yet their surfaces coax us into looking at them harder and longer than such banal objects could possibly entice on their own. Such dressings-up themselves are commonplace in media-saturated American life, and Thiebaud redirects their energy unerringly throughout the 160 illustrations here, most in color. One might wish for a less insidery guide to the work than Gopnik's, but the panache of his biographical prose carries readers right into the paintings, well and comprehensively selected by Nash, whose own essay provides welcome detail on Thiebaud's working life.
Copyright 2000 Reed Business Information, Inc.
Review
A magnificent, celebratory retrospective. -- Portland Oregonian
The panache of [Gopnik's] biographical prose carries readers right into the paintings, well and comprehensively selected by Nash. -- Publishers Weekly
Most helpful customer reviews
3 of 3 people found the following review helpful.
Gorgeous
By Abigail Taylor
I've loved Wayne Thiebaud ever since I was a kid, leafing through my dad's art books - and now that I bake so much I have an even deeper fondness for the crisp cake and pastry paintings. This book covers a wide range of Thiebaud's work, from food to portraits to landscapes (especially my favorites, the vertigo-inspiring San Francisco hills!), and all are reproduced in beautiful crisp prints. The book is big enough to give you clear images but not so big that it won't fit on a bookshelf.
The narrative throughout is also well written, if you can ever bring yourself to read rather than just dreamily flipping through the images.
If you're a Thiebaud fan, I suggest you get this book, I doubt you'll be disappointed!
1 of 1 people found the following review helpful.
Great Artist, Great Book, Perfect for a Collection
By Strange_1
Thiebaud is one of my favourite artists, and I wanted to add a book of his work to my collection. I was looking for one that had lots of high quality, colour pictures, and this is the perfect one! It not only has the amazing pictures I was looking for, but a great biography, as well. The biography takes up about 1/3 of the book, and the rest is pictures of his work. It's a large book perfect for a coffee table. I was impressed by all the pictures, and the great colour. I would suggest this to any artist, or art admirer!
33 of 34 people found the following review helpful.
Enlightening!
By A Customer
I own lots of art books, but this is already one of my favorites. I stare and stare at these pictures and marvel at what he has done. The painting is so simple at first glance, and so much more complex and fascinating the longer I look. If you are a painter, there is very much to be learned from these paintings. The phrase "paint lovingly applied" in the editorial review is most apt--and as a result, one loves looking at it. This man is really a PAINTER, an artist who revives one's faith in painting here at the turn of a century that has seen more than its share of charlatans and feeble talents. Everything he paints looks profoundly delicious, and the landscapes and cityscapes from the 80's and 90's are like thrilling dreams. The book is a revelation!
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