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Another raging slab of real American history you're not likely to find in the textbooks. This is second title in the new (and best-selling!) Nabat series that debuted with Jack Black's You Can't Win. It's a window into a wildly under-appreciated dropout culture that gets left out of the stultifying fairytales that pass for history books—a much more rowdy and messily interesting tradition than the guardians of propriety, steeped in those other great American traditions of puritanism and hypocrisy, let on. Hobo jungles, bughouses, whorehouses, Chicago's Main Stem, IWW meeting halls, skid rows and open freight cars—these were the haunts of the free thinking and free loving Bertha Thompson. This vivid autobiography recounts one hell of a rugged woman's hard-living depression-era saga of misadventures with pimps, hopheads, murderers, yeggs, wobblies and anarchists.
"...her narrative is cauliflower-eared by the brutal truth."—Time
"Thompson's capacity for taking pleasure in her experiences is as striking as the enormous range of her sympathy."—Luc Santé, New York Review Of Books
Dr. Ben Reitman (1880–1942)—hobo, whorehouse physician, anarchist agitator, and tour manager/lover of Emma Goldman, was a mighty interesting character in his own right.
This edition has a new afterword by Barry Pateman, curator of UC Berkeley's Emma Goldman Papers, which contains information on the background of the book, and of author Dr. Ben Reitman.
Nabat books is a series dedicated to reprinting forgotten memoirs by various misfits, outsiders, and rebels. We believe that the truly interesting and meaningful lives are only to be had by dropouts, dissidents, renegades and revolutionaries, against the grain and between the cracks. The Nabat Series offers a little something to set against the crushed hopes, banal lives, and commodification of everything.
Also in the Nabat Series:
You Can't Win by Jack Black
TP $16.00, 1-902593-02-2 o CUSA
- Sales Rank: #1048505 in Books
- Brand: Brand: AK Press
- Model: 1088611
- Published on: 2002-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.00" l, .75 pounds
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
About the Author
Barry Pateman is the curator of the Emma Goldman Archive at the University of California Berkeley and wrote the introduction to AK Press' Chomsky on Anarchism.
Most helpful customer reviews
2 of 3 people found the following review helpful.
fact or fiction? whos cares, poor writing is poor writing.
By lab cabin
Getting through this book is going to take more patience than I am willing to muster. The stories told in Boxcar Bertha have so much more potential than their author lets them realize. The writing is just so awful that it completely smothers the narrative -or network of micro-narratives that make up this book. It is one of the most non-engaging adventure stories I have ever read. The author took license to write a fictional story and pass it off as autobiography, at least they could have made more of an effort to be entertaining.
I keep trying to push through Boxcar Bertha because I feel like it will lend some sort of relevant insight into marginal life in the Depression, but I don't think I can do it.
Not to mention the dubious nature of the male author attempting to portray the voice of a radical woman. What's next, privileged whites writing in the voices of radical blacks? Will that pass as meaningful, authentic work with the publishers of the radical left as well? I hope not.
3 of 6 people found the following review helpful.
Another great book from the folks at AK.
By A Customer
Another raging slab of real American history you're not likely to find in the textbooks. This is the second title in the new Nabat series from AK Press that debut with Jack Black's You Can't Win. It's a window into a wildly under-appreciated dropout culture that gets left out of the stultifying fairytales that pass for history books - a much more rowdy and messily interesting tradition than the guardians of property, steeped in those other great American traditions of puritanism and hypocrisy, let on.
Hobo jungles, bughouses, whorehouses, Chicago's Main Stem, IWW meeting halls, skid rows and open freight cars - these were the haunts of the free thinking and free loving Bertha Thompson. This vivid autobiography recounts one hell of a rugged woman's hard-living depression-era saga of misadventures with pimps, hopheads, murderers, yeggs, wobblies, and anarchists.
24 of 32 people found the following review helpful.
A ripoff!
By James D. Giza
"Everything I had set out in life to do I had accomplished. I had wanted to
know how it felt to be a hobo, a radical, a prostitute, a thief, a reformer,
a social worker and a revolutionist. Now, I knew."
With an ending like the above, you've gotta bet that the prior 200 pages are
a fun read.
This book is more-or-less the contemporary of that classic 1930's anti-drug
movie "Refer Madness". We encounter dope fiends, perverts, dreamers,
anarchists, abortionists and many others.
I do, so much, love reading about degenerate behavior!
Somewhere in the folds is a statement that Capitalism is evil. "Sure
society has a right to defind itself. Society has the right to send me to
jail if they get the goods on me. But I've got to eat and sleep and my
child has to have his. I don't justify myself. I know I'm wrong. I know my
example is bad. But I'm so short on funds, I have to".
So, I'm reading along. 100 pages. 200 pages. Thinking to myself, hmmm
.... this woman sure had a lot of adventures in her life.
Then ... incredible, annoying, foulness! An afterward is appended to the
text by the publisher.
"In this, the 4th time that Boxcar Bertha has been reissued, we feel obliged
for the first time to make it plain that this is in fact a work of fiction.
This takes nothing away from the book as far as we are concerned."
BALONEY! What the...?!?! I could understand if they'd let the title
stand (after all, we know that the "Autobiography of Miss Jane Pitman" is a
novel) but why did they have to leave the binding classification as
"Autobiography"???
I feel so violated. I wouldn't have invested the time if I'd know from the
start that it was fiction. This story is only good if it's true ...
there're a dozen places where I'd have thrown the book down because of
unbelievable-ness if I'd known it were fiction.
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